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  • 0.4.2 Belief and Knowledge

    Version 1.0 March 2013                                Previous Version

    Some philosophically minded people get hung up on the word “beliefs”.  We don’t.

    ·       The argument goes like this.  They say that everything that can be called “knowledge” must be definitely true, otherwise we don't “know” it for certain.  They call things that are not definitely true, but that we still hold dear, “beliefs”.  They imply these “beliefs” must be dogmatic, because they aren’t definitely true but we still believe them, despite the uncertainty. 

    ·       Here we don't use the word “beliefs” in this way.  The statements that make up these “global beliefs” are not definitely true, but neither are they dogma.  They are NOT beliefs we hold regardless of reason and the evidence.  They are not “beliefs” devoid of any reasonable justification.  They are not “beliefs” like purely faith based religious beliefs. 

    As we said in section 0.0.3, even the scientists who say they don't have “beliefs” must have working hypotheses so that they can think and talk about, and conduct, science.  These understandings are what most ordinary people – like us – call beliefs.  Anyway scientists do believe in the validity of the scientific method!

    Instead, we offer our contributions,

    o   being as open as we can to all the evidence and to criticism from all parties,

    o   knowing there is considerable uncertainty about the basics underlying these beliefs,

    o   being as conscientious as we can be to get the reasoning right.

    We put forward these “global beliefs” as evidence-based working hypotheses that help us to make decisions on what to do when we need to act.

     

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    Do you know of any great music that would go well with this page?

    Or any of the other pages?

    IF YOU DO, CLICK FEEDBACK.

    It could be in any language, or have no words, or just be instrumental.  From pop, to classical, a cappella to orchestral!

    Examples of the music we seek:

    ●   On the Tenets page, accessed from the main menu, our current choice is a Song Without Words from Mendelssohn (who died in 1847), Opus 14 Nbr 4, called Contentment.  Check it out: the Tenets conclude most times, I have a measure of content.

       Chapter 2.3 covers the solar system and Earth’s development.  In there somewhere, surely we should be hearing Gustav Holst's The Planets, which premiered 100 years ago.  There is a movement for each of the planets.

    Please tell as much identifying information as you can: a link, and/or the name of the piece and a person’s name may be enough, but if you know it please also send the artist/performer, composer/lyricist, year written, year recorded, record label, copyright owner, or similar details.

    We have to worry about copyright: acknowledge it, and not infringe on it.  Music that is out of copyright, or was never copyrighted (eg like real, ie very old, folk music) is good.  Some material is ‘open source’ allowing others to use it for free.  For newer restricted copyright music we may have to seek permission to play it, but we can’t afford to pay for it.  It depends on the circumstances.  In general, copyright in text, images and music lasts for 70 years after the year of the creator's death, even if the creator does not own copyright.

    We acknowledge the traditional owners and custodians of Country, throughout all colonised lands, and their connections to land, waters and community. We pay respect by giving voice to truth, values and social justice, acknowledging our shared history, and valuing the cultures of first nations peoples.

    Copyright © 2008 - 2026 Trevor J Rogers, care of the address shown on this page. All rights reserved. Apart from any fair dealing for the purpose of private study, research, criticism or review, as permitted under the Copyright Act, no part may be reproduced by any process without written permission from the copyright owner. Any approved reproduction is permitted only with full attribution of the source, referring to this site and this copyright notice. The moral right of the author is asserted.

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